Gamasutra: The Art & Business of Making Gamesspacer
View All     RSS
October 31, 2014
arrowPress Releases
October 31, 2014
PR Newswire
View All
View All     Submit Event





If you enjoy reading this site, you might also want to check out these UBM Tech sites:


 
How Your Game Can Change the World - Part II
by Brandon Bozzi on 12/09/13 03:55:00 pm   Featured Blogs

The following blog post, unless otherwise noted, was written by a member of Gamasutra’s community.
The thoughts and opinions expressed are those of the writer and not Gamasutra or its parent company.

 

This is the second part of an article that explores what social impact games might teach us about designing all of our games to have a more positive impact on the world.

In part one we looked at how “healing games” can teach us that the messages our games convey affect how our players think and act.

In this part, we’ll look at two “empathy games” and what they might teach us about how our treatment of people in games affects how people are treated in reality.


Empathy Games - Spent and Half the Sky

Empathy Games - put players into someone else’s shoes - usually someone less fortunate than the player. The two examples I chose in this category are Spent and Half the Sky.

Spent helps people better understand what it’s like to be homeless or nearly homeless. In the game, you’re a single parent with $1000, no job, and no place to live, and the goal is to survive the month under those circumstances. It’s a choose-your-own-adventure-style game with lots of tough decisions about how to spend your time and money. Decisions like, “Do you choose health care or rent?” and  “Do you choose better schooling or more nutritious food for your child?” I’ve personally found it to be a powerful experience, and credit card companies have used it to help their employees gain empathy for the people they’re calling about late payments.

Half the Sky is another game that fits the empathy category well. It’s based on a best-selling book, and a movie, with the same name. In the game, you start as an Indian women trying to create opportunities for herself, her family, and her community. Through playing a series of mini-games, you help her start her own business, deliver medical supplies for the clinic, get books for the school, and so on. The game is designed to give players a glimpse into some of the real challenges that women face around the world. I think it does a nice job of balancing that with being a compelling game.


Empathy Games Teach Us that How We Treat People in Games Matters

A lesson we can draw from empathy games is that “how we treat people in our games matters”. If games affect they way players think (see part one), then it follows that the way we treat people in our games will affect the way our players think about, and therefore treat, those people in reality.

I’d like to touch briefly on our treatment of two groups of people: women and the LGBT community. We’ll start with women.


Empathy Games Teach Us that We Can Be A Positive Force for Women

Other media is beginning to come around to the idea that the overly-polished, photoshopped images of women that we’re constantly exposed to are doing harm. I see Dove’s Real Beauty campaign, despite its controversy, as an example of media beginning to move in the right direction. I’d love to see game creators grab that baton and take the lead on portraying women in a more realistic, and positive, light. Let’s show more of our female characters as smart, strong, confident, independent people.

Here’s an example from television about the positive impact media can have on the treatment of women. There was a soap opera in India, called Hum Log, about the daily struggles of a middle-class family. The show was written to promote women's status in Indian society. A study on the program revealed that viewers who were more exposed to the show were more likely to believe in women's equality and women's freedom of choice.5 With fifty million people watching that show on average each episode, it had a subtle, but significant, impact on society. We have an opportunity here as game creators to do the same thing.


Empathy Games Teach Us that We Can Be A Positive Force for the LGBT Community

Okay, moving on to an equally complex topic that I’m going to oversimplify here - how we treat the LGBT community in games. First, let’s look at how they’re treatment has evolved in other media.

Ellen came out as lesbian on her show in the 90s which got huge media attention at the time. Then Will & Grace helped people get more comfortable with gay men into the early 2000s.6 Now we have shows called “Modern Family” and “The New Normal” whose titles help firm up the idea that not only is there nothing wrong with being lesbian or gay, there’s nothing weird about it either.

We’re also seeing other nerd-media pick up the gauntlet. Marvel, for example, had its first same sex wedding between Northstar and fiancée Kyle.

Same sex marriage is becoming more common in our own industry as well. Games like Sims 3, Fable II, Fallout 2, and Skyrim all let same sex couples marry. So how might we continue to move our games in this positive direction? First, we need to get over the fear of backlash. Some of us might still be scared about boycotts or uproar, but we don’t need to be. A rep Bioware said that including LGBT content in their games doesn’t hurt their sales. The people that don’t buy the game because of the content are balanced out by the people that buy it to support that content. And those supporters often become some of the most vocal and lasting fans of their games.

Once we’re over the fear what do we do next? We can make our relationship systems open. Let players pick their mates regardless of gender. While in some game stories the sexuality of the main character is important enough to be locked, those are the exceptions, not the rule. We can also write more LGBT characters into our games, and when we do, treat them as whole people, not just caricatures. I think Steve Cortez from Mass Effect 3 is a great example of a well-thought-out gay character. For me, he feels like he’s not just there to be a token representative of the group, he’s there to make the game representative of society.

With all that in mind, I invite you to think about what changes, small or large, you could make in your games to help players have a more equitable view of women and the LGBT community.

(Next week we'll explore what “fundraising games” can teach us about how to attract more players and make more money by raising money for people in need.)

Footnotes

5Asian Journal of Communication Volume 1, Issue 1, 1990, Pg. 113-135

6Can One TV Show Make a Difference?, Will & Grace and the Parasocial Contact Hypothesis , Edward Schiappa, Peter B. Gregg, & Dean E. Hewes

 

 


Related Jobs

The Workshop
The Workshop — Marina del Rey, California, United States
[10.31.14]

Programmer
InnoGames GmbH
InnoGames GmbH — Hamburg, Germany
[10.31.14]

Mobile Developer C++ (m/f)
The College of New Jersey
The College of New Jersey — Ewing, New Jersey, United States
[10.31.14]

Assistant Professor - Interactive Multi Media - Tenure Track
Next Games
Next Games — Helsinki, Finland
[10.31.14]

Senior Level Designer






Comments


Luis Blondet
profile image
I find that it is much more effective to use games as an educational tool when using Seamless Learning. Most gamers will not set out to play a game because they hope it will enlighten them, but they will seek to play a game that is fun or engaging is some way. The marketing and dress of the game needs to appeal more than the secret payload it is trying to deliver.

Star Trek has inspired many children to be scientists, but the marketing is not "Inspirational Science Fiction Show", it is instead sold as a space show with sexy aliens and beam weapons (although some episodes are devoid of this). Same thing with Indiana Jones. It has inspired many archaeologists, but it is not marketed as such.

warren blyth
profile image
Very curious if anyone can offer more examples of games that help the player empathize with unfamiliar viewpoints. Ideally encouraging the player to step outside of their existing world view and see themselves from someone else's perspective.
(Cart Life and Second Person Shooter come to mind. not sure it fits though).

I'm working on game (of this sort) for an online difference power and discrimination course. Seems like its very easy to make you feel bad for someone less fortunate than you - but very difficult to make you consider the benefits you've enjoyed in life. (without feeling guilty for having an easier time, and then shutting down).
The teacher of the class notes that there is also a common phenomenon where when you start focusing on "who's had it worse" it can turn into a competition. which is not the goal.

Very curious if anyone can suggest titles that help you consider your own benefits/advantages.

Kevin Fishburne
profile image
For games simulating any kind of humanity, try to think of things in terms of what is physically possible rather than what is presumed to be culturally normal. Start with the raw mechanics of being human and work your way up from there. Obviously this can have some emergent effects that may be undesirable, but it's one solution to the problem. Treating sexuality from the top down pigeon-holes behavior when in fact it is a rainbow defying individual labels. Just let players do what they want to do by facilitating the basic mechanics of being human, for better or worse.


none
 
Comment: