Lifelong gamer with core experiences amongst JRPGs, CRPGs, SRPGs, Shmups, Beat-em-ups, retro twitch, and fighting games (formerly a competition level Soul Calibur player). Will always have a special place in my heart for emergent simulations that follow the Looking Glass school of design.
Former games journalist for a humble hardcore gaming website. Spent some time as a chemical engineer before finally deciding to follow my passion. Graduated from the University of Texas at Austin with a B.S. in Computer Science in 2000.
Entered the games industry in March of 2000 as a programmer on the Microsoft/Bicycle Casino (PC) line of products developed by Compulsive Development and Glass Eye Entertainment. Went on to join the team at Ion Storm to work on Deus Ex: Invisible War (PC/Xbox) and Thief: Deadly Shadows (PC/Xbox). Spent a short time at TKO Software working on the N-Gage 2.5 SDK. Became a senior programmer at Breakaway Games's Austin studio working on console and PC projects. Served as Lead Programmer on Mushroom Men for the Wii, which was developed by Red Fly Studio. Was a core AI/Gameplay programmer on Dishonored at Arkane Studios in Austin, Texas.
Formerly served as a director of IGDA-Austin focused on running activities for the organization and promoting visibility of the professional game development community in the city. Initiated the tradition of IGDA-Austin Microtalks before handing the torch over to the next generation.
Most recently became a weapon of Harmonix Music Systems in Cambridge, Massachusetts before parting ways to go indie.
Currently a partner of a 3-person indie studio named Question, which recently shipped The Magic Circle.
The Magic Circle places no artificial limits on the number of creatures you can drag around with you in the world. This is a simplified description of some of the major optimizations that went into making that possible.
A diagram showing the migration patterns of the elusive spotted game developer in its natural habitat.
I've had many mentors over my 12+ years as a professional game programmer, but there is one ex-colleague in particular who has abstractly had more influence on my algorithms than any other.
Out of all the disciplines, game designers seem to have it the hardest when it comes to evaluation during interviews. Their skillsets are difficult to quantify in a standard manner because they are, in essence, professional thought architects.
I sense a disturbing trend amongst some of the fresh graduates, lately. A lot of kids are coming my way that fit a specific archetype: nice, smart, passionate, and utterly screwed by the false expectations fed to them by their educational institutions.
Over the years, I had mentored a few select individuals for associate producer positions in the hopes of growing a garden of local people around town that knew what they were doing and would spread the good habits on to the studios they would end up at.
[Blog - 04/29/2016 - 03:16]
We do use Aron Granberg ...
We do use Aron Granberg 's AStar for ground-based navigation. The hazard raycasts were relevant because a player can dynamically specify the creatures movement ability or immunity to damage in such a way that a unified ruleset for traversal would not have been appropriate. Other raycasts that would not have ...
[Blog - 02/24/2016 - 06:45]
[News - 01/15/2016 - 03:34]
[Blog - 05/15/2009 - 08:33]
Rupert Key Twitter: @Arakade has ...
Rupert Key Twitter: @Arakade has tracked down a NaN propagation issue that occurs when the target velocity is greater than bullet velocity. I will be updating my function based on his correction.
[News - 06/05/2015 - 04:04]