I think part of the Kickstarter issue for me is that game devs fall into the same trap as always, which is overpromising, scope control issues, etc, and sooner or later they realize that they can 't do the game within the time and/or budget that they originally pitched. This ...
Thanks for the thorough explanation, Michael. There are lots of definitions of procedural audio out there, and I personally think that 's okay, albeit a little confusing at times. My definition is that the content is created and/or played back using an algorithm as opposed to being specifically scripted or ...
If you 're not learning something new on a day-to-day basis, then you 're doing something wrong. r n r nAgree times a billion. Would love to see this full talk.
Hey Luke, glad you liked the article. Any chance to get hands-on FMOD training with Stephan Schutze shouldn 't be missed. I 'm sure you 'll dig it. Soak up as much knowledge as you can and bring plenty of business cards.
Great article. Really thought provoking. Thanks for writing it. r n r nI think there is space for breaking these rules as long as you 're aware of the consequences. If you want a widely accessible game, then probably best to stick by these rules.
Lots of people seem quick to point at HR about this, but at Volition, I write the audio job posts. HR just makes sure I don 't discriminate and stuff like that. They review it but they don 't change it, at least not without me agreeing to it.
Cracked me up. Good stuff, thanks for sharing on here. Just makes me think that you 're actually the right kind of guy to do a Kickstarter, but I won 't go there even though I just did.
Thanks, Mark. I love to see audio directors and managers leading the way. It would be great to meet up some time and dish about this stuff. Have you ever seen Dan Pink 's video called Drive I think you would dig it. It 's about motivating people. It 's ...
