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By Tim Ryan
Gamasutra
April 16, 1999

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Features

Beginning Level Design, Part 1: Level Design Theory

Contents

Introduction

What Good Level Design Means for Players

The Roots of Computer Game Design

Storytelling

Verisimilitude - When to Stay within the Realm of Probablility

This article is the first of a two-part series covering theories behind level design, establishing some rules for level creation. The intention is to aid those new to the field who want to design levels for pleasure or pursue a career in level design.

Level design is the data entry and layout portion of the game development cycle. A level is, for all intents and purposes, the same as a mission, stage, map or other venue of player interaction. As a level designer, you are chiefly responsible for the gameplay. This article will give you insight into developing good levels for any type of game, whether they are military missions for your horde of tanks, aerial encounters for a flight simulator, a dungeon for a role-playing game, a board for a puzzle game, or a map for a world conquest god-simulator.

I will present some theories behind level design, starting with an exploration of what good level design means. Then it delves into the non-electronic roots of computer game design from chess to GI Joe action figures, and how we can learn from their success. Finally it takes a thorough look into the theories behind storytelling and how we can apply them to level design.


What Good Level Design Means for Players


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