Sex
in Videogames
Part 3: Dramatic Significance
By
Ernest
Adams
Gamasutra
November
21 , 2000
URL: http://www.gamasutra.com/features/20001121/adams_01.htm
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Julius
Caesar, the greatest general of his age, pursues his enemy Pompey to Egypt.
Arriving with an army in Alexandria, he finds the twenty-year-old Cleopatra
locked in a power struggle with her younger brother, Ptolemy XIII. Taking her
side, Caesar conquers the Egyptians, kills Ptolemy, and makes Cleopatra both
his mistress and Egypt's queen.
Four years pass, and in 44 BC Caesar is assassinated in the Senate. In the civil
wars that follow, Cleopatra tries to remain neutral. Mark Antony summons her
to account for her actions, but is hopelessly captivated by her charms. They
return to Egypt together, living in ostentatious debauchery. Eleven years later,
in a war with his great-nephew Octavian, Antony overrules his own generals at
Cleopatra's insistence and initiates the battle of Actium, which ends in disaster.
Hearing a false report of Cleopatra's suicide, he falls on his sword. Cleopatra,
fearing she will be exhibited as a prisoner in Octavian's triumphal march, poisons
herself.
1200 AD
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King
John of England, a notorious lecher, sends envoys to ask the king of Portugal
for his daughter's hand in marriage. At the same time John makes a tour of his
feudal lands in France. While visiting Hugh the Brown of Lusignan, one of his
most powerful barons, John develops an insatiable lust for a fourteen-year-old
girl named Isabelle of Angoulême. However, Isabelle is already betrothed
to Hugh the Brown, a status almost as binding as marriage. John recalls his
envoys, sends the unsuspecting Hugh off on a diplomatic mission, and marries
Isabelle with the approval of her father.
Outraged,
the Lusignan family rises in revolt. John challenges them to a trial by combat
in which he will not fight, but be represented by paid professional champions.
The Lusignans appeal to King Philip II of France, who is in strict feudal law
John's overlord, and Philip summons John to account for himself. John refuses.
It is the excuse Philip is looking for, and in a series of wars he conquers
John's provinces in France one by one. By the end of John's reign his ungoverned
lust has cost England a huge part of her empire. After John's death, Hugh the
Brown finally marries Isabelle after all.
1997 AD
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Bill
Clinton, the President of the United States and the most powerful man in the
world, conducts an illicit affair with a young woman on his staff. Seeking to
avoid a scandal, he prevaricates when asked about it in a deposition for a lawsuit.
The truth is revealed the following year in secret recordings made of the young
woman discussing the affair with a person she had thought was a friend. Clinton's
political opponents in the Congress summon him to account for his actions. When
his answers are unsatisfactory, they impeach him for perjury and obstruction
of justice. In an almost purely partisan vote, he is acquitted at trial. Clinton's
behavior has embarrassed the nation, while his opponents have spent millions
pursuing him and accomplished nothing. Clinton's long-suffering wife is subsequently
elected to the Senate.
Sex: the thing that takes up the least amount of time and causes the most amount of trouble. - attributed to John Barrymore
Sex
doesn't provoke wars or topple empires nowadays, but its capacity for causing
trouble is still pretty staggering.
In
the earlier parts of this column I wrote about other aspects of sex in computer
games: seduction and explicit sexual activity. In this one I want to look at
the broader role that sex plays in our lives, and how that can translate to
computer games.
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Sex
is one of the most important forces that motivate human beings. Unlike most
other animals, we are capable of sex, and interested in it, whether we are fertile
or not. Sexuality plays a social role for humans beyond simple reproduction.
It helps to cement the bond between mates, but it can also break it. All human
societies place some restrictions on sexuality because if they didn't the result
would be social chaos, but attempts to over-legislate sex are usually failures
- all they do is drive the proscribed activities underground. Powerful, unpredictable,
and resistant to reason, sex is most noticeable in history as a destabilizing
influence. It's seldom an organizing factor; it doesn't work that way.
Games,
especially simulations, tend to have nice, neat rules: maximize the right variables
and you win the game. If you introduce a destabilizing influence, you risk frustrating
the player. What we do instead - all too often, in my opinion - is to create
an extremely complex interlocking system of variables, and the player's challenge
is to figure out how they interact. Randomness is played down, and experimentation
- trial-and-error, to be blunt about it - is encouraged. Such games reward people
who have a large amount of time to play and a particular kind of analytical
mind. They don't reward people who are looking for a few minutes' fun. (This
issue is further addressed in an earlier column of mine, Casual
versus Core.)
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So
is sex too big a random factor to include in the plots of computer games? If
your best naval captain falls in love with a lady on shore and suddenly starts
finding a lot of excuses for keeping his ship in port (and believe me, this
was once a real problem), is this going to drive the gamers nuts? I think the
answer is, not if you tell them in advance that it's a possibility. Wargame
players don't object to unexpected bad weather, as long as they know that it's
a possibility and can prepare for it. Role-players don't object to randomly-generated
monsters; they're part of the rules of the game. Why should they object to love
affairs? There are plenty of popular games that have large random factors: Monopoly
and poker and backgammon and Tetris, for example. As long as people understand
it, it's an enjoyable part of the game.
More
importantly, the effect of sex on people's lives isn't really that random. We
may not know exactly who is going to click with whom, or when, but the consequences
can often be guessed. Isabelle and King John's meeting was sheer coincidence,
but John's behavior was in keeping with his character, and anyone could have
predicted Hugh the Brown's reaction.
Sex
is of course a staple of soap opera plots - who's doing it with whom, and who
else knows about it - just as violence is a staple of action plots. Given that
most games are still about action and not relationships, I don't think sex is
going to replace violence as the principal element of most M-rated games any
time soon. But in spite of that, sex is too important to for us to go on ignoring.
It may play a less vital role in politics than it once did, but it still profoundly
affects the decisions people make, and the reactions of others.
This is something we just don't see in computer games. Even The Sims, which comes as close as any game I've seen to simulating meaningful sexual relationships, skirts the powerful influence that sex has on people's feelings and actions. Bella Goth, the neighbor in The Sims, is famously free with her favors, but her wronged rivals don't try to settle their scores with a double-barreled shotgun or even a merciless divorce attorney.
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Is sex too big a random factor to include in the plots of computer games? |
The motivations
given to computer game characters are extremely simple. Greed, lust for power,
revenge, mindless patriotism, a desire to thwart evil - that's about it, except
in some of the richer Japanese games. Love seldom enters into it and sex, almost
never. By ignoring sex as a factor in human affairs, we're limiting the kinds
of scenarios we can present. What would have happened if Cleopatra had been
a man? Caesar might still have backed his cause, but Mark Antony almost certainly
wouldn't have forgiven his neutrality so easily. Nor would he have allowed his
heart to rule his head at the battle of Actium.
There's an ongoing debate about whether interactive entertainment can be an art form, and if so, how expressive a one. Everyone has their own answer to this question, and we're certainly not going to reach any conclusions here. Still, I'll go out on a limb and propose a test of sorts. Art with a capital "A" serves to illuminate the human condition in all its manifold circumstances, and that includes sexuality. Many art forms (painting, sculpture, literature) are easily capable of this; others (flower arranging, macramé) not so much so, or at least not very accessibly to most observers. Until interactive entertainment is capable of saying something meaningful about sex - not just showing it, but commenting on it, inspiring thoughts and feelings about it - we're still down there with macramé.
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