Our Properties: Gamasutra GameCareerGuide IndieGames Indie Royale GDC IGF Game Developer Magazine GAO
My Message close
Latest News
spacer View All spacer
 
February 10, 2012
 
Analyst questions validity of unusual January NPD results [3]
 
DICE 2012: Blizzard's Pearce on World Of Warcraft's launch hangover
 
DICE 2012: Insomniac's Price on Quality Of Life, ditching the 'Loser' badge [2]
spacer
Latest Features
spacer View All spacer
 
February 10, 2012
 
arrow Principles of an Indie Game Bottom Feeder [18]
 
arrow Postmortem: CyberConnect 2's Solatorobo: Red the Hunter [1]
 
arrow Jerked Around by the Magic Circle - Clearing the Air Ten Years Later [39]
 
arrow Building the World of Reckoning [4]
 
arrow SPONSORED FEATURE: TwitchTV - How to Build Community Around Your Game in 2012 [13]
 
arrow Happy Action, Happy Developer: Tim Schafer on Reimagining Double Fine [9]
 
arrow Building an iOS Hit: Phase 1 [11]
 
arrow Postmortem: Appy Entertainment's SpellCraft School of Magic [5]
spacer
Features
 

Masaya Matsuura

Masaya Matsuura graduated from Ritsumeikan University with a major in Industrial Sociology. An encounter with Apple II Computer software “Kaleidoscope” at age nineteen changed his life dramatically. The images were mesmerizing, but he felt something was missing. He added music to it, his very fi rst experience as a producer of computer entertainment. In April 1983 Masaya formed the band PYS’S (pronounced “Size”) with female vocalist Chaka. The band pushed the frontiers of computer music, but the state of digital media at the time wasn’t enough to satisfy Masaya’s creativity. After ten albums and several hit songs, PSY’S disbanded in August 1996. In 1993 Masaya explored new ground by combining music and multimedia with the release of The Seven Colors. It was the fi rst CD-ROM from a Japanese musician and went on to win the Multimedia Grand Prix of 1993. The Seven Colors was followed by TOOL-X in 1994 and Tunin’ Glue in 1996, both multimedia music titles that offered completely new ways to enjoy music. December 1996 saw the release of Parappa the RAPPER IN JAPAN. It was like no other game that came before it, and it took Japan by storm. PARAPPA THE RAPPER went on to win the 1996 CECA Award, the Japan Software Award, and was named Japan Game of the Year 1997 by the readers of eighteen domestic game magazines. In 1999 Masaya crossed over from rap to hard rock with UM JAMMER LAMMY, and the game won an SCEI Gold disc after just two months. Masaya’s imagination doesn’t end with music games. VIB-RIBBON, released in Japan and Europe in 1999, is another game revolution that creates gameplay from the player’s own favorite music CD. PARAPPA THE RAPPER 2 was released in Japan in 2001 and is now available worldwide. In 2003, Masaya produced and composed sounds for the new Aibo,”ERS-7”, which was very experimental and exciting work for him. In November 2003, Masaya released MOJIBRIBBON for PS2 in Japan.


Features by Masaya Matsuura:
A Sense of Fun: Anybody Could Be Your Player 1 [10.07.08]
GDCTV: The Near Future of Media Distribution [05.17.05]
UBM Techweb
Game Network
Game Developers Conference | GDC Europe | GDC Online | GDC China | Gamasutra | Game Developer Magazine | Game Advertising Online
Game Career Guide | Independent Games Festival | Indie Royale | IndieGames

Other UBM TechWeb Networks
Business Technology | Business Technology Events | Telecommunications & Communications Providers

Privacy Policy | Terms of Service | Contact Us | Copyright © UBM TechWeb, All Rights Reserved.