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So it sounds like this game puts more emphasis into the actual world than Demon's Souls.
KH: Yes, definitely. The world itself is physically a lot bigger, and the background story, and the background to the game itself is a lot more in depth; it's just something we really wanted to elaborate on. And, so, again, it's a result of being the type of game that we wanted to make.
I think that the bigger the world, the more isolated you're going to feel. I'm assuming, though, the online will address that, right?
KH: So definitely, yes. The interaction between other players on the online space is something very important. We've also added a lot more NPC characters as well for interaction for the player.
One thing that Mark Cerny has said is that the way this series is passively online-aware is going to be the standard for games in the future. Do you have any thoughts on its online connection?
KH: I do agree that this is a pretty unique system. We were actively trying to create an online experience that hadn't really been done before; we thought it'd be fun to take the interactive online experience and make it more accessible for players.
That's what I think is the most fun thing about this -- the fact that you can communicate with other players worldwide without requiring actual language. I think that's how things are going to go, and I think that's a good thing because it results in a more fun experience for everyone. It's definitely great that people are saying that about it, too.
Showing this game around and speaking to lots of people in the U.S. and Europe, did that also teach you a lot about how the global market works?
KH: It certainly did, and really there's still a lot I don't get! I wish I could understand more, but either way this has been a great step up for me, a new opportunity. I do feel like I know more about games now and that we've made a pretty big leap into the overseas market. It's been a fresh experience, and I hope I can do more.
Do you think what you've experienced will change how you approach your job as producer in the future?
KH: Well, I think it'd be great if I could help create a title that's built from the ground up to aim for the worldwide market. I now have this experience working with a game that people around the world are getting hands-on with, that's capable of competing worldwide. I'd like to see if I can do that with some sort of original content; that'll probably be the next step.
Would you personally want to continue working on projects like this that target a hardcore audience?
KH: Not necessarily just the hardcore audience; more like something that people worldwide are willing to accept and enjoy. I think that sort of thing would be great. I think I know the hardcore market at this point, and I'd like to explore the possibilities with a more casual audience -- a larger group of gamers, in other words.
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How simple would it be to offer difficulty levels for players? Pretty damn simple (essentially spreadsheet values). However, the 'this is my/own design vision and you will play it this way or you aren't worthy' attitude just limits the game's appeal and sales. Hirono-san and the Namco producers should have had more courage and fought for the average gamer. Sadly Miyazaki, I won't be playing Dark Souls and I know its my fault because I'm not worthy or capable enough to play your masterpiece. Now where is that Gears of War 3 game disc...
To add in difficulty levels, seems like completely missing the point of the game. It's supposed to be difficult! Besides creating additional issues (additional balancing required, logistical problems of players online playing with different difficulty settings, etc.)
I'm glad From Software was able to work out this partnership with Namco Bandai! I hope they are able to reach a wider audience and find a good balance between hardcore and mainstream appeal with their games.
Without coming down too heavy on Lo Pan, I think you hit on the important difference between this game and most others (and why a difficulty option misses the point of Dark Souls): there is no attempt at narrative or trying to provide a cinematic experience. The gameplay and bleak atmosphere IS the narrative.
I used to think that for video games to evolve into art, they would have to become more like movies. I really admire a game like L.A. Noire, and that may still be a fruitful path to explore, but I'm starting to become pessimistic games will ever provide the emotional and artistic depth of film, and a game like Dark Souls is refreshing because it is telling you: "learn the game mechanics, because gameplay is all, and 'story' is B.S." Same thing in Wii bowling, of course, but like someone said about Harry Potter: there's an audience for that, and there's an audience (albeit smaller) for something more challenging.
I don't think every game really needs a "causal" setting, like Gears has, but surely every game should have a "normal" setting?
demon's souls is not about pushing pixels, or story, or cutscenes... this game is about putting you into a meat grinder and seeing if you can make it out alive (and IF you do, you'll fell like a million bucks). it is certainly not for everyone, but i'd rather the developers focus on balancing the game on the right side of impossible than try to make the difficulty "open ended" to attempt to appeal to a broader audience.
having an "easy mode" in demons souls would shield you from the depth the game has to offer ...you'd probably never bother two handing weapons, learning all of the attack animations, learning to back-stab and reposte, or manage your stamina or pay attention to enemies and learn their patterns, or being obsessive compulsive about switching your equipment/rings/spells.
besides, i want it to mean something when i say, "yeah i beat demon's souls" without having to clarify (in easy mode)
If the cool for Namco is to sell a game with limited/niche appeal and sales fine, but it seems a waste since Miyazaki's design vision is reaching a small percentage of the market.
I wonder if Cliffy B had done this with Gears would have sold 15+ million?
This seems like an odd thing to say. You call it a waste that his design vision will only reach a limited amount of people, but in order to reach a larger number of people, he would have to severely compromise on that exact vision, which would result in his vision being received by no one at all.
"I wonder if Cliffy B had done this with Gears would have sold 15+ million?"
Demon's Souls wouldn't have sold anywhere close to 15+ million even if it did have a difficulty mode that would allow anyone who's held a controller more than twice to beat it. Even conceptually it just doesn't have the mass appeal of muscleheads blasting aliens. Certainly, the game might have sold more if you could get through it easier, though it would never go beyond a certain niche. However, in the long term for a game like this and for a company that wants to be able keep making games like this, it's more important to create a dedicated fanbase than it is to maximise sales today.
My father cant take Tarantino's movies cause he thinks it has too much conversation and doesn't have action scenes, he prefers movies like avatar and transformers. So why doesn't Tarantino make movies that will appeal to a bigger audience? is he dum? well I think he is not. He makes the movies he wants to make, and he knows there is lots of people that like movies that doesnt have explosions every 5 minutes and nonstop action scenes
PS: sorry for my bad english XD
If making a game exceedingly difficult Miyazaki's primary design goal...that seems shockingly narrow minded. Design 101 stuff.
Its strange that so many developers on this site who demand balance and focus testing seem to abandon it for this series. Yes, the game looks great and has a fantastic combat system/engine, but it uncompromising difficulty kneecaps it. In a world where AAA games are pervasive, publishers and developers need use common sense with their 'design vision'.
In a technical game like Demon's Souls, replacing wolves with Pomeranians and tigers with American shorthairs completely changes the way the game is played, even if the mechanics are the same. As a result, it's also no longer providing the experience it was intended to provide.
In a sense they arent that different than old-school platforming games - falling off a ledge means restarting - or stealth games where you can't be detected. The tension is much greater, and if the game is fair (it is clear why you fell, why you got detected), it isnt frustrating.
Besides, if you aim for universal appeal, you end up with vanilla. We dont need more vanilla.
1 - The game is not for the hardcore audience. Games like Demon Souls appeal to a sub-segment of a sub-segment of the hardcore audience. They have absolutely no appeal to at least 95 percent of the core audience, if not more.
2 - No, Demon Souls is not something people worldwide are willing to accept and enjoy. Fact: only 10 percent of the people who currently buy AAA games finish them. 90 percent of the players walk away because the games do not acknowledge or accommodate their preferences, time constraints or lifestyles. So world-wide, the majority of the possible audience is rejecting games which most of the people here, think are too easy or hold their hands. And the solution to this is to make the games even more difficult to play? Extreme difficulty will appeal to them? My god, pull your heads out of your asses... really. Every time a player walks away from a game, he or she becomes less likely to buy or play another. So every time it happens, it hurts the entire industry.
So go right ahead, make more masochistic games like Demon Souls. But be prepared to accept responsibility when the average age of a core player drop back down into the teens and the size and overall spending power of the audience returns to the pre-Playstation days.
Abbreviated for comprehension without interpretation:
CN: "Would you want to continue working on projects for the hardcore?"
KH: "I'd like to try my hand at projects with a broader potential market, including casual players. I already know the hardcore market, and want to see what other segments can be tapped."
Namco/FromSoftware are crying all the way to the bank: Dark Souls Surpasses 250K Japanese Sales In Opening Weekend (http://www.gamasutra.com/view/news/37529/Dark_Souls_Surpasses_250K_Japan ese_Sale
s_In_Opening_Weekend.php)
And this is a sequel, so buyers know what sort of game they're getting.