The Designer's Notebook: PS3 versus Wii - The Designer's Perspective
December 22, 2006 Page 1 of 2
For a long time, I’ve had a theory that there’s always room for two-and-a-half game consoles in the market – that is, two main contenders battling for first place and an also-ran that survives but never stands a chance of doing better than third. Being either first or second is normally good enough to guarantee healthy sales and long-term survival. The more critical question is, who will be the also-ran?
This market mechanic has been pretty stable ever since the head-to-head battle between the Sega Genesis and the Super Nintendo. In third place was the SNK Neo-Geo with its huge $70 cartridges. In the optical media era, Sony brought out the Playstation, Sega gave us the Saturn, and Nintendo hung onto cartridges for one more generation with the N64. From being a major contender, Nintendo dropped into third place and has since failed to recover. Cartridges have the advantage of being sturdy and chewable, thus good for little kids, but they’re slow and expensive to make, while the cost of goods on an optical disc is well under $1 in quantity. Optical disks hold far more data, too, so you can sell bigger games for less money. In retrospect, despite Nintendo’s good intentions and some excellent games, the N64 was a strategic mistake.
Developers hated the Saturn, however, and after a year or two of frustration, many refused to support it. Sony roared ahead and cemented their lead with the PS2. Microsoft entered the race a solid second with the original Xbox, and Nintendo hung on to its #3 spot with the GameCube. Sega dropped farther back in the pack with the Dreamcast, and ultimately quit the race entirely, vowing to become a software-only publisher (while still doing nicely in Japan with arcade games, pachinko machines, and the like).
So now we’re at another generation. The Xbox 360 came out swinging early, and it’s a good solid machine. Then there’s the PS3, which is undoubtedly the most powerful game console ever built but too expensive, and the Wii, which has taken a radically different approach. Who’ll end up as the also-ran?
The answer will have to do with a lot of factors beyond a game designer’s, or any game developer’s, control. Sad to say, while the quality of the early games for a console does matter, good games alone cannot guarantee a console’s success. More important are its price (to the casual players), its hardware features (to the hardcore players), and even its form factor (the Japanese are reputed to have ignored the first Xbox because it was just too big and clunky for their apartments). The media, both gaming and mainstream, are busy comparing the new consoles. But what are the pros and cons from a design standpoint?
There’s no question that more computing power enables us to do things that we couldn’t otherwise do. We can put more characters on the screen; we can put more brains in their heads. We can use CPU-intensive techniques like inverse kinematics to create better animation, especially interactions between characters in games that involve a lot of physical contact such as wrestling or rugby. Our physics and visual effects will be both spectacular and accurate. In short, the PS3 is a programmer’s and a filmmaker’s dream. If you’re a visual thinker, if much of the entertainment that you provide is through the richness or the verisimilitude of your imagery, then there’s no question that the PS3 is the way to go.
The PS3 is another step in a long chain of graphical and computing improvements that began with Spacewar. It’s a big step, and technically speaking, the inclusion of the Cell processor is a very important – and challenging – innovation. Most game programmers don’t know much about multiprocessing. The PS3 raises the bar, and to get the most out of it requires some high-level wizardry.
From a design standpoint, however, the PS3 is evolutionary, not revolutionary. It doesn’t change much about our job. It makes it easier to design the same stuff we’ve always designed, but it doesn’t encourage us to try anything particularly new.
That’s where the Wii excels. Nintendo has bet the company on a radical new approach to gaming. Gameplay, they said, is really about interactions, not graphics. The Wii Remote gives players new things to do, which means it challenges us designers to come up with those things. Furthermore, it takes away functionality found on other consoles. Instead of the eleven buttons, two analog joysticks, and a D-pad of the PS3 controller, it has only six buttons and a D-pad. To design for this, we have to think differently – we have no choice about it. By contrast, Sony has hedged its bets. Its controller is wireless now, and it contains some motion-sensing capability, but it’s still definitely a two-handed device, almost identical to the Dual Shock. It’s not the kind of thing that encourages the player to see it as a light saber, tennis racket, fishing rod, or six-shooter – or to get up off the couch.
It took a lot of guts to do that. If either players or developers hate the Wii Remote, the Wii is doomed. Sure, there’s the Nunchuck to give them a joystick, and even the Wii Classic Controller, which looks startlingly like a good old SNES controller with added joysticks. But these are extra-cost items; they can’t save the Wii if the ordinary Wii Remote tanks with the consumer.
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