Harmful "Upgrades"
Players of video games work toward goals the game sets for them, some of which produce rewards of varying value. These can even be negative. In an RPG, you'll occasionally pick up a cursed item that does more harm than good. You can usually check it first, though, or get it fixed, or drop it. On the other hand, something that you buy in a game shop with in-game reward money -- equipment upgrades, for example -- really shouldn't do you damage. A correspondent named Cyrad writes of the popular action RPG The World Ends With You:
Equipment comes in the form of clothing you purchase from stores. In addition to stat bonuses, each article of clothing also grants a passive ability that is unlocked/activated when you establish a good relationship with the store clerk. These abilities were usually things like "your attacks randomly debuff enemies' strength" or grant you a defense boost when heavily injured.
After spending most of the game unable to find shoes with decent stats, I finally found a pair that I absolutely loved and spent a fortune buying a pair for each party member. The clerk later revealed the shoes' ability, which granted a minor perk at the cost of making every enemy attack knock me off my feet.
Getting repeatedly hit-stunned while attempting to heal is the most common way in the game to die, and by this point, most enemies spam unavoidable projectiles. The unlocked ability essentially made this item suicide to wear. The ability cannot be toggled or removed. The shoes cannot be sold. Any new duplicate I buy will also have the ability.
You punished your player for buying an upgrade, Square Enix? Bad game designer! No Twinkie!
Overuse of One Location
The example for this one is an oldie, but the principle applies regardless. Deunen Berkely wrote, "Thou shalt not repeat multiple missions in the same cave/building/area over and over. You see this most blatantly in Star Wars Galaxies MMO, but other games fall to the temptation as well... you are trotting through the cave and see NPCs or items that don't react to your mission, or worse, you have to kill everybody to get to the bottom.
You fight your way back out, only to get another mission just a few activities later that sends you back into the same darn cave, kill everybody again, reach different things around said cave/building/area, and then fight your way back out again. By the fifth time, it's really dull. Puts the grind in grinding, you know?"
We can use a location for several missions if it's big and diverse enough, as in the Grand Theft Auto games. But you shouldn't do this too much with a location that the player explores completely in the course of a single mission.
Converting an Enemy to Your Side Nerfs Him
This is a corollary to an earlier TDC, Bad Guys With Vanishing Weapons. You spend a lot of time clobbering a serious bad guy with a big weapon and what you actually find on his body is a pointy stick.
In this case, Sean Hagans writes, "Entire nations run from the character's name and the only thing standing between him and the total fulfillment of his overlord's plans (usually imminent world domination) is your party of heroes... You SOMEHOW are able to barely make it out of the battle with your lives.
Due to your soundly punishing argument, the villain has a change of heart and joins you (OMG! I get to use HIM! YES!!!). Much to your despair, the villain is seen to be named 'Bob the Boy Wonder' and can only perform a basic slash attack with his slightly over-sized blade of dull wood."
Not fair. Now a fair (and very funny) example occurred when the Avatar from the Ultima games showed up in the very last level of Dungeon Keeper. He was the ultimate enemy, but he could be converted with enough work -- and when he was, you got to use every bit of his awesome power.
Conclusion
Recently Lars Doucet told me that his company, Level Up Labs, does a "Twinkie pass" over their designs. They check each game's design against the No Twinkie Database to see make sure they haven't included any Twinkie Denial Conditions. It's nice to know these columns are having a real effect. Send your own complaint (check the database first to see if I've already covered it) to notwinkie@designersnotebook.com.
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I started reading this column back around 2000 when I was still a teenager and it's one of the main things that got me into game design!
So, for turn-based games, either have no animation at all, OR do what I'm doing for AURO - asynchronous animation. This means that when you attack, a little explosion animation plays out, but you don't have to wait for it to finish to keep making inputs.
Also, X-Com gets a pass for it's cinematic camera animations, due to the fact that the twinkie denial condition specifically mentions a "known result". Much of X-Com revolves around hoping very hard that the 65% chance shot connects and does just enough damage for you to pull through, or else you're completely screwed. Therefore every time you wait for the animation to play out during these pivotal moments there's a lot of anxiety around whether you'll pull through or not; the familiar animation becomes a great moment of suspense. You can clearly tell they did a lot of tuning to make sure that these special moments in X-Com come just enough times to make them exciting and awesome every time.
- Ernest Adams clearly does not live in an urban area with a large homeless population :).
Aside from the so-minimalist-it's-useless documentation in the manual, and the fact that you don't appear to be able to share characters between user profiles[*], the character editor hides most of it's functionality away until after you've unlocked content by playing the game. So at first glance, it looks like you're restricted to some basic body-manipulation options and a small set of pre-defined costumes.
Once you've played through a few of the career elements, more stuff is unlocked (clothes, shoes, hats, tattoos, jewellery, instruments, etc) and the character editor itself shows a lot more options for customising your character [**]. But the initial view is so restricted that it's both misleading and disappointing for new players.
However, this then leads to another issue. Many of the more interesting items (e.g. a horned helmet) are locked until/unless you complete a specifically named Career Goal. However, there isn't a direct link from the Character Editor to the Career Goal in question, so you have to exit the editor, navigate back to the Career mode and then try to remember which of the several-dozen goals you need to play...
[*] which, to be fair, may well be an artefact of the way Xbox Live's profile management system works
[**] again, to be fair, the loading screens do give you some information about the character editor
Implementing procedural generation badly is indeed a risk to watch out for, so I agree with the title "Bad Randomly Generated Challenges", but I respectfully disagree with the opening paragraph - saying that procedural generation is bad design seems very strange to me, because its the other way around IMHO.
BTW levels that use procedural generation can be fine tuned like levels that are built by hand - to do this right the designer needs to fill the role of a programmer, even when using a high level tool.
I love when I read sentences that almost certainly have never before been uttered in the history of the world.
Whatever the reason, don't do it. Read your dialog aloud to see if it sounds like actual conversation. Really chatty people do exist, but they're rare."
I'm certainly an offender of this rule, but in games I think it's entirely relational. There is no other people logic going on in this instance, so the information becomes compoundingly difficult within suspension of disbelief. While there is trail of thought, this process of communication has no other correlation. This sort of chatty is disengaged, and while very rare in real life lacks any contrast to other NPCs psychologically dispositioned when compared to conversation norms even moreso. The funny question is, is it intentional of the designer to demonstrate communication differences or a mildly considered "personality flavoring"