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Gamasutra's Top 20 Trends of 2008
 
 
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November 22, 2009
 
arrow Upping The Craft: Susan O'Connor On Games Writing [6]
 
arrow Small Developers: Minimizing Risks in Large Productions - Part II [7]
 
arrow iPhone Piracy: The Inside Story [51]
 
arrow And Yet It Grows: Analyzing the Size and Growth of the European Game Market [5]
 
arrow NPD: Behind the Numbers, October 2009 [13]
 
arrow Reflecting On Uncharted 2: How They Did It [5]
 
arrow Sponsored Feature: Rasterization on Larrabee -- Adaptive Rasterization Helps Boost Efficiency
 
arrow Postmortem: Wadjet Eye's The Blackwell Convergence [2]
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Features
  Gamasutra's Top 20 Trends of 2008
by Christian Nutt
6 comments
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December 17, 2008 Article Start Previous Page 5 of 10 Next
 

9. Free To Play, Pay For Items

Throughout 2008, we saw the further diversification of the MMO model in the West. While Mythic/EA's Warhammer Online: Age of Reckoning made a strong debut and Blizzard's World of Warcraft somehow continued to grow, Funcom's Age of Conan slid from a strong launch into apparent problems, and NCSoft announced the closure of its ambitious and problem-plagued Tabula Rasa.

While it's tough to draw a direct trend line through these events, the sense is beginning to grow that the MMO market needs a shot in the arm to continue expanding, and one of the major possibilities that is being seriously considered is the adoption of the Korean-pioneered free-to-play, microtransaction-based model in major western-developed and western-targeted titles; EA's shooter Battlefield Heroes being an in-development, high profile example.

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An ambiguous statement made by EA CEO John Riccitiello during a conference call that seemed to imply that the BioWare MMO, Star Wars: The Old Republic, may have some microtransaction-based content, caused excited murmurs throughout the blogosphere.

Those who have experience with the model, like Nexon VP Min Kim -- who revealed at Austin GDC that his company had pulled in $29.334m in the U.S. in 2007 on the back of free-to-play in youth-oriented titles such as MapleStory -- have plenty of faith in it.

Or as CCP CEO Hilmar Veigar Petursson (EVE Online) puts it, "If you are building a pure subscription game you have to think very hard about how you build a meta economy that cannot be turned into a free to play after the fact... you will always be a victim of people doing what they want to do, and it's a losing war... you shouldn't fight your customers."

10. Game Schools Birth Hit-Ready Titles

Game education at universities isn't a new trend -- but it's interesting to see just how directly these students are transitioning into fully functioning professional teams directly from their educational careers.

Of course, the most famous example is the Narbacular Drop team, hired by Valve out of DigiPen, creating last year's breakout hit Portal. Thatgamecompany, of flOw and Flower, of course, arose from USC's interactive media program.

But these are not the only examples. Shortfuse Games, an 11-man team who recently released Colosseum to Xbox Live Community Games, transitioned directly from the game development program at Sweden's University of Skövde to professional concern with a minimal addition of staff from outside of the program. The Dream-Build-Play winner, CarneyVale: Showtime, was created at MIT's GAMBIT lab in Singapore.


Team Gambit's CarneyVale: Showtime

With IP ownership still an issue for some programs, the ability to do this may be difficult for some, but it's clear that the working relationships fostered over multi-year programs provides for a fertile ground for future collaboration -- and the refinement of ideas that may have their genesis in classroom assignments, but clearly have broader appeal.

 
Article Start Previous Page 5 of 10 Next
 
Comments

Daniel Kaplan
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h, University of Skövde =) Don't forget that you have www.dreamlords.com (MMORPGRTSsomethingsomething) www.puzzlegeddon.com (Pieces Interactive, they also did Fret Nice) and Loot, Steal 'n Destroy www.ludosity.com from there also. Oh yeah. That the Grin staff (the dudes working with Bionic Commando and Terminator) has a lot of former Skövde-students.

Daniel Kaplan
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I also forgot to mention some other people from Skövde:
Erik Svedäng, creator of Blue Berry Garden www.eriksvedang.com

Daniel Remar, creator of Garden Gnome Carnage and Iji www.remar.se/daniel

Björn Hurri, www.bjornhurri.com One of the best concept artists in the world. You can see him posting a lot at conceptart.org And his "sidekick";

Peter Trappe, www.petertrappe.com concept and 3d artist.

Tom Newman
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The trends I am most happy about are the shift in innovation from the east to the west (it's about time -lol), and the re-emergence of not just retro games, but the general return to 2D as being a viable way to make great games. More HiDef 2D games in 2009!!!

Guy Woodwood
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In terms of Hollywood and games it's a shame Casebook (casebookthegame.com) wasn't mentioned in point 11 as it's the closest the games industry has come to Hollywood and it happened this year

Brian Bartram
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re: Hollywood and Games...

anybody remember John Woo's Stranglehold? There's an epic tale of attempting to fuse Hollywood and games. Released in late 2007, literally a sequel to "Hard Boiled", both Woo and Chow Yun Fat were involved, many many millions spent on development (can't dig up the actual figure at the moment, but it's staggering), lukewarm reception (7s and 8s on a 10 pt scale).


julian farquar
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re: Stranglehold and casebook

Yeah, i remember Stranglehold (it was only a year ago), and I remember how weakly it compared to something like Max Payne 2, even after the patch. It deserved a 7, though the storyline deserved a 2. As for casebook, I had a look at that, too, and ... well, it's obviously designed for the casual game market, but it's a real step up from Wing Commander 4, or C&C, in terms of how the story grafts onto the gameplay. It really does blur the line between game and TV (which, in my humble opinion, has been pretty clear cut despite various hypes).


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