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Virtuos GDC 2011

Virtuos GDC 2011

Virtuos is one of the world's largest providers of digital production services to the game and movie industries, specializing in 3D art and game co-development. Virtuos has over 600 staff across its production centers in Shanghai and Chengdu, and offices in Paris, Vancouver and Tokyo.

Serving 15 of the top 20 games publishers worldwide, as well as renowned developers, Virtuos has developed full games on PS3, Xbox 360, Wii, NDS and PSP for leading publishers.

Visit us today at virtuosgames.com

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  Interview: Epic's Rein On Why AAA Is 'Not Going Away', It's 'Going Everywhere' Exclusive
by Leigh Alexander [PC, Console/PC, GDC, Exclusive]
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March 12, 2010
 
Interview: Epic's Rein On Why AAA Is 'Not Going Away', It's 'Going Everywhere'
At the Game Developers Conference this year, a wide swath of investors, execs and developers are all but declaring the imminent demise of traditional console game development, thanks to the rise of social, mobile and digital games, plus new tech.

Few people are less likely to agree with that perspective than Epic's Mark Rein. "How'd that Modern Warfare 2 do," he joked at the event, where he showed Gamasutra the latest updates to the company's Unreal Engine 3 -- including the tech performing on not just an iPhone, but a new model Palm Pre -- plus a tech demo on PC in stereoscopic 3D.

Doing More With Less

The company's far from slowing down in its aims to offer developers a platform to create bleeding-edge, graphically-rich AAA games. For one, UE3 has added the ability to animate all kinds of surfaces separately from objects realtime using its Material Editor.

It's also added to the particle system "ribbons" that spawn particles based on object movements -- water spray, air streams and blood expectoration, for example, behave in a more physically lifelike way. There's now support for volume-based lighting on particles, too. Thanks to the integration with Autodesk's HumanIK, characters interact with their environment in a more believable way using few animations.

But even though it maintains a pole position in the industry's march toward ever more lifelike AAA games, "We’re making our business do more things," Rein tells us.

These initiatives include offering the free Unreal Developer Kit to creators and projects of all sizes and the company's visible thrust into the mobile space, including Apple's recently-announced iPad "at some point."

Going Mobile, Going Everywhere

"Our move into mobile games has nothing to do with the mobile games of today… it’s about the mobile games of tomorrow," Rein explains. "Every year, the phone handset is two times as powerful as the one before. Tim Sweeney will tell you we’re only 3, 4 switches away from being able to run AAA content on mobile."

This means "content and tools like ours are more relevant and more important," Rein says. "AAA's not going away. AAA's going everywhere."

Maybe the new browser-based and social gaming rush will never go AAA, Rein caveats, but a new option or a new subsection of the game industry is simply a different choice, not a replacement. Trying to assert that new models will replace AAA is like suggesting the film industry would make more if it stopped investing in films like Avatar and instead made hundreds of low-budget games.

When it comes to industry analysts and VC's doom bells for the console industry, "I don’t understand the relevance of it," states Rein. "These are guys trying to make their investment pay off – more power to them."

Keeping Up With Tools

Better tools and increased efficiency will help game development keep up with emerging trends. "When we can come up with a technique that makes us more efficient, our customers can be more efficient as well," says Rein.

In that vein, among UE3's new features is a new spline deformation tool that lets developers shape and create objects in realtime using only a single mesh -- think of building curling vines or train tracks in real time simply by pulling on one mesh.

"I think technically for the number of minutes of gameplay on the screen, we're either able to make better quality in the same [amount of] time, or make more minutes for the same price," Rein says. "Better tools let you do more with less."

Epic also unveiled an impressive procedural city-building tool aimed to allow developers to create complex systems from simple shapes: in the demonstration we saw, square volumes of any size could be auto-fit with surface textures to create buildings instantly.

A geometry system analyzes the surface it's working with and auto-trims meshes to fit the volume automatically -- and it continues to adjust as developers are able to vertex-edit directly on top of it.

Rein says that the procedural tool now handles so much of the work that there's more resources available for other details, animations and surface details.

Part of the argument that traditional development is doomed is that its budgets have been increasing -- but according to Rein, better tools mean that AAA development costs can decrease, not ramp up annually, keeping it a viable proposition.

The Future Of Consoles

What about another current trend, the promise of cloud computing? What will happen to console development when there's no console?

Rein says he played Epic's own Unreal Tournament 3 via OnLive at DICE and said it impressed him -- but that PC gamers who enjoy state-of-the-art gaming PCs may be disappointed, but that for others it's a "great way to experience PC game content."

"I was just blown away how well it plays," he says. "If you're that super hardcore player who plays it on the most asskicking-est PC money can buy, you notice lag… maybe everything isn’t turned up to 12, but if you’re a gamer who doesn’t want to go erect a big fancy pc like that… it’s really fun."

And when it comes to another innovation, motion controls, Rein also sees opportunities. "Microsoft is making a bunch of Natal games with our tech," he says. "They showed me some that they haven't announced, and they were really cool. The one game that I played the most blew me away -- I would definitely buy that game, and I could see me and my kids playing it in front of the TV. But it doesn't have to be one or the other; you can have a great Natal experience, and then you can go play Modern Warfare 2 or Gears 2," he says.

Gamasutra also saw an Unreal tech demo in stereoscopic 3D, with customizable field depth. Combined with the new surface animations and the other updates made to UE3, the lifelike look was frankly stunning.

And according to Rein, the advancement of tech like this will determine when the next hardware generation arrives. "I think a good justification for the next console would be to take a game like Gears of War, play it at a full 1080p, 60 frames per second with twice as much stuff on the screen, and a gig of RAM instead of half a gig -- but I want to play it stereoscopically," he hypothesizes.

"Think about the PC you’d have to build," he says. "But that’s the beauty of the console… they build it with the future in mind, so you can put in all these great parts. The justification for another big hardware spend is… they’re gonna wait until they can build something like that at $300 or $400," he adds.

That's not ten years away -- Rein estimates the industry will spend a few years focused on PlayStation Move and Project Natal to refine the ideal usages of the experiences they provide.

And when this phase of experimentation with new technologies helps the industry continue refining on the ideal console experience, new platforms will launch when those ideal experiences can't be achieved without them.

"Motion control, gorgeous 3D, more hardware power," enthuses Rein, "And there’s no reason not to do it. You can’t do it any other way. You can't do that without building another console. You can never deliver that [on the cloud] without a client computing system like a console."
 
   
 
Comments

Aaron T
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"Motion control, gorgeous 3D, more hardware power," enthuses Rein, "And there’s no reason nnot to do it. You can’t do it any other way. You can't do that without building another console. You can never deliver that [on the cloud] without a client computing system like a console."

This does not bode well for OnLive, I reckon.

Kevin Kissell
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I play 99% on the PC or the MAC, I love my games with the mouse and keyboard. If some company could have a transition hadware to have my mouse and keyboard work with an XBOX 360, I so would buy one. I love the control of keys and mouse.

Erik Carlson
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@ Aaron

I don't think Onlive was ever a PC and console killer in anyones eyes except for possibly some extremely hopeful investors. What it does aim to provide is a gateway back into gaming for the general PC user who doesn't have a upper end system. If Onlive has been realisitic with its expectations it'll do fine.

Dave Smith
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i'd still prefer a joystick!

Taure Anthony
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@Robert

ahh man I agree.....since when do game systems malfunction the way that they do?. I understand there may have been some instances before for the older consoles but the Dreamcast, N64, Genesis/Sega CD/32X, Sega Saturn and PS1 consoles I own I've ran them all day just playing games with no issues!

Guess what?....they still work!

Ilian Dinev
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@Taure:
A paperclip is still in good shape after decades, yay!
The NES... etc are small-scale, napkin designs; and don't use bleeding-edge optics (for the time they were launched). The CD was over a DECADE-old medium when the SegaCD, Dreamcast and PS1 hit. DVDs and BDs were shoved into consoles very soon after the tech was ready for mass-production (PS2 and PS3 laser failures). The only puzzling thing is that the xbox360 problem persists, even after so many revisions. Users voted with their wallets that this is a non-issue... and Sony/Microsoft/Nintendo got the message: make games and services, not good HW+OS.

Alex Covic
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Ah, Mark Reign - would have loved to hear him live: the salesman of the most successful 3D-Engine Middleware license, enabling you to create AAA titles, says AAA titles ftw! Now, that is surprising isn't it?

Aside the sarcasm. Scaling down and making their stuff work on phones, now that is a smart move. There's no reason why games like the original Unreal Tournament or Quake 3 cannot run on smartphones.

On the other hand, I am still waiting for the legendary Tim Sweeney to show me his engineering wizardy skills when it comes to multi-core. He bitched famously (and rightfully so) about the problems with multi-threads/multi-core only to make a complete 180° and turning from an engineer to a Mark-Reign-salesman himself, a year later? The PS3 fake dev-kit preso at E3 2006 (?) didn't convince me, nor did anything since. I have not seen these suitable "switches" (see article above) - I hope he is not referring to the intel compiler and /Qparallel.

Merc Hoffner
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@ Alex

I'm sure the hardware programability is an issue, but if Epic were really logical then they'd apply the same argument to the Wii: build the Unreal 3 engine for the Wii (which at the very least has more available computation throughput than the smarthpones) and every dev would have come knockin' - there were essentially zero advanced commercial alternatives. I say would have because this is a hypothetical past that did not and now will never happen. All I can say for certain is that Epic left tens of millions of dollars on the table while Mark rained down hate (see what I did there?) on new controller paradigms.

Ian Uniacke
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Since it seems to be the popular term lately, I'll use it again, but Mark Rein comes across in this talk as a complete snake oil salesman.

"we got bonafide, electrified 3d graphical realism and you all gotta have it! What'd I'd say? AAA!"

Chris Melby
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LOL Ian. You nailed it.

A W
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@Merc

It's a little know fact that Mark Rein hates Nintendo and all that the are.

Robert Gill
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"Buy this here Unreal engine and you get not one, not two, BUT THREE AAAs!"

Some funny posts today.


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