Gamasutra is part of the Informa Tech Division of Informa PLC

This site is operated by a business or businesses owned by Informa PLC and all copyright resides with them. Informa PLC's registered office is 5 Howick Place, London SW1P 1WG. Registered in England and Wales. Number 8860726.

Gamasutra: The Art & Business of Making Gamesspacer
View All     RSS
September 30, 2020
arrowPress Releases

If you enjoy reading this site, you might also want to check out these UBM Tech sites:


VR/AR: A Renaissance Art Form (Google Tech Talk)

by Chris Solarski on 03/19/20 10:33:00 am   Expert Blogs   Featured Blogs

The following blog post, unless otherwise noted, was written by a member of Gamasutra’s community.
The thoughts and opinions expressed are those of the writer and not Gamasutra or its parent company.


I recently had the pleasure of presenting at Google in Zurich in a talk titled, 'VR/AR: A Renaissance Art Form.' While the title focuses on virtual reality and augmented reality, the presentation's content explores how classical craft can inform our understanding of interactive empathy across transmedia using a sensory approach to design. 

My personal approach to game design (as outlined in the presentation recording above) is informed by gesture drawing—the practice of drawing a live model within a limited time period that can be as short as 30-seconds or 1-minute. The relevance that gesture drawing has to interactive media is that it similarly involves a person (player) observing a dynamic subject and making split-second decisions before reacting with appropriate gestures (inputs). Just like a player reacting to on-screen events by directing their avatar’s movement with a controller’s analog stick, the artist expresses movement using a minimalist set of lines of varying aesthetic quality. In both cases, the artist and player have a unique and personal opportunity to embody the aesthetics that they perceive visually—physically channeling the subject’s energy through the act drawing/playing.

My gesture drawing experiences—more than any other artistic practice—have led me to develop a methodology that approaches the game design process that prioritizes aesthetics over rules and game mechanics. Titled Interactive Empathy and Embodiment (IEE), the framework promotes a high-level sensory design approach for video game design, although the concepts are also relevant to interactive media like virtual reality (VR), augmented reality (AR) and cross-reality (XR). You can think of sensory design as working inside-to-outside, whereby the design process starts by defining the aesthetics of the player’s physical state before orchestrating external, game design solutions that evoke this predetermined experience. In other words: A-D-M (physical aesthetics-dynamics-mechanics).

Please note that IEE was formerly called Adaptive Gameplay Aesthetics, about which you can read the fundamental principles on Gamasutra and via Gumroad. I'm still in the process of finishing an all-new framework walkthrough, which will be the culmination of 15+ years of work in the area of classical art and game design. Please follow me on Twitter, Facebook and Instagram to stay updated, or visit for more info.

Related Jobs

Airship Syndicate
Airship Syndicate — Austin, Texas, United States

Mid to Senior Worldbuilder - Unreal Engine
Airship Syndicate
Airship Syndicate — Austin, Texas, United States

Senior VFX Artist
Remedy Entertainment
Remedy Entertainment — Espoo, Finland

Senior Cinematic Scripter
Deep Silver Volition
Deep Silver Volition — Champaign, Illinois, United States

Senior Technical Designer

Loading Comments

loader image