Gamasutra is part of the Informa Tech Division of Informa PLC

This site is operated by a business or businesses owned by Informa PLC and all copyright resides with them. Informa PLC's registered office is 5 Howick Place, London SW1P 1WG. Registered in England and Wales. Number 8860726.

Gamasutra: The Art & Business of Making Gamesspacer
View All     RSS
May 29, 2020
arrowPress Releases

If you enjoy reading this site, you might also want to check out these UBM Tech sites:


Flavor Text Is Actually Red Meat

by Nikhil Murthy on 05/21/18 09:56:00 am

The following blog post, unless otherwise noted, was written by a member of Gamasutra’s community.
The thoughts and opinions expressed are those of the writer and not Gamasutra or its parent company.


I just read this PC Gamer piece on flavor text and I wanted to think out a few points around it. I think that people tend to undervalue flavor text and I want to push a bit more against that.

What Is Flavor Text

Like seemingly all game design jargon, flavor text is a term that is itself flavorful, but a little inexact. We're used to considering something like the italicized text of Magic: the Gathering cards as flavor text and similarly the quotes in SM:AC are clearly flavor text. So, I'm going to restrict this to in-game descriptions of game pieces. There are definitely other things that I think can be considered analogous, but I'm just here to argue value not taxonomy.

Progression Isn't Understanding

I think that the fact that flavor text is inessential to progression causes people to privilege mechanics over it when considering the relative importance of different parts of a game.

Take Gulliver's Travels as a thought experiment. You can read Gulliver's Travels without engaging with the politics of the story, but instead simply as an adventure tale. This is exactly what I did as a child. However, to privilege the adventure part over the satire would be to lose the entire point of the novel. Similarly, you can play music without ever listening to the words, but have you really heard "Stan" until you follow the narrative?

People can play without engaging with flavor text and some undoubtedly do, but that doesn't devalue the flavor text. It is not necessary for every part of the game to be engaged with by every player.

The Mechanical Value Of Flavor Text

Having said that, I do think that flavor text has a significant impact on the actual mechanics of playing a game. It can substantially reduce the complexity of a piece by giving the player a bit of a story to help comprehension and by acting as a mnemonic. Additionally, it functions as a reward moment for the player and threading these moments through the game has significant impact.

Video Games Are Not Edible

I take issue with the idea that flavor text is the analogue of spice in cooking. I've eaten a lot of bland food in my life. Sometimes food is just functional and it's okay for it to lack spice and flavor. I want more from games.

Miscellaneous Further Thoughts


  • Are the names of Magic: the Gathering cards flavor text? They don't have gameplay impact, and while they are essential, they don't need to be so flavorful.
  • Are barks in an FPS flavor text? What about the things that anonymous NPCs in an RPG say? They seems analogous at least.
  • What would a flavor mechanic look like:
    • Trinket text?
    • Singing in Transistor?
    • Taunts in Street Fighter?
    • Photos in FFXV?
    • The health and trading of 80 Days? This one is my favorite because of how it mirrors traditional flavor text.
  • The Quiet Sleep (Steam link) simply does not function without flavor text. It was crucial in shortening narrative gaps and in setting the tone. It's nothing like the same game without the meaning and tone that flavor text allowed it.


- @murthynikhil

Related Jobs

Visual Concepts
Visual Concepts — Foothill Ranch, California, United States

Senior Systems Designer
Heart Machine
Heart Machine — Culver City, California, United States

Quality Assurance Manager
Fred Rogers Productions
Fred Rogers Productions — Pittsburgh, Pennsylvania, United States

Digital Producer
Digital Extremes Ltd.
Digital Extremes Ltd. — London, Ontario, Canada

Senior Lighting Artist

Loading Comments

loader image