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Interview: EA's Riccitiello On Having Faith In  Mirror's Edge , Grasshopper Manufacture

Interview: EA's Riccitiello On Having Faith In Mirror's Edge, Grasshopper Manufacture Exclusive

October 16, 2008 | By Leigh Alexander

October 16, 2008 | By Leigh Alexander
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More: Console/PC, Exclusive



Electronic Arts anticipated Mirrors Edge has earned plenty of pre-release enthusiasm among press and fans alike thanks to a few key ways it bucks first-person genre trends - but the game almost wasnt first-person at all, explains Electronic Arts CEO John Riccitiello.

Speaking to Gamasutra, and continuing a recent series of interview extracts, Riccitiello says that at first, the idea of a first-person game with no shooting seemed risky and made him "a little freaked out" as a concept. In a particular meeting on the title, he was "pushing the bejesus" out of the idea that the game should be a third-person title.

"I was totally convinced that game needed to be third-person and not first-person, because I wanted to see Faith," Riccitiello says. Hence the DICE-developed games titular mirrors "It didnt have mirrors in it before the meeting -- I got mirrors so you can see her."

And now that hes seen the end result, Riccitiello admits, I was really wrong about the third-person thing.

The conversation came as Riccitiello reflected on how two of EAs most eagerly-awaited titles "bookend a degree of risk for a large publisher," in that they aim to invent outside of traditional genre boundaries. Theres Mirrors Edge, the first-person game with no shooting, and the just-launched Dead Space, which seeks new innovations on the traditionally niche survival horror genre.

"I think it can be fairly stated that one might not have imagined a major Western publisher putting out either Mirrors Edge or Dead Space a year ago," says Riccitiello. "Im really proud were putting them out."

The Grasshopper Effect

Another surprise for a Western publisher of EAs size was the companys recent partnership with offbeat, cult favorite Japanese talent Grasshopper Manufacture and it wasnt an easy decision. "I agonized about that one a little bit," Riccitiello says.

"GHM is a merger of a couple creative forces that, if I were to use a sports analogy, these are the guys that go into the stands and beat up the fans, instead of just trying to upset the apple cart and try things differently."

But just as he eventually decided to trust the judgment of the DICE team with the decision to keep Mirrors Edge a first-person title -- "as a general thesis, I talk a lot about trusting creative people and supporting them" - Riccitiello decided the partnership would be a good move.

Getting a look at GHMs tech helped, too. "Our team had a chance to get inside their tech and understand what they were building, and we felt this made sense for us for a couple of reasons, says Riccitiello. We thought their creative vision was right; we thought we could help make a difference for them. Were feeling good about it."

"The question was whether they were committed to something great they are. Sometimes, talent can be hidden in a persona, and that persona can suggest that there isnt talent. I think we concluded there is talent in the delivery."

Whither Brutal Legend?

EAs apparent development of a progressive attitude toward unexpected titles has fueled rumors that the publisher might pick up Double Fines odd but fan-favorite heavy metal action anthem Brutal Legend, dropped in the shuffle of Activisions merger with Vivendi.

"I have seen it," says Riccitiello. "I am well aware of what the game is. Its a very significant creative risk."

And though EA's CEO wont offer specific comments on whether or not the company has plans for the title, he adds, "Sometimes significant creative risks end up being some of the worlds best products. Spore was also a significant creative risk. So was The Sims. Portal, BioShock. But so was [the relatively poor-selling, if critically acclaimed] Grim Fandango"

The latter, like Brutal Legend, was designed by Tim Schafer -- a connection surely not lost on Riccitiello.


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