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Without making things sound too simple, after all of the preparation work had been done it was more or less a matter of turning the crank and getting the job done. There was of course a great deal of give and take during the Scrum sessions and the technical planning meetings; it was complicated at first to get to grips with the project management style and the way estimations were made and tasks were tracked. However, the small physical size of the studio (900 sq. ft. for 12 people) and the readiness of the leads to dive into the details helped enormously in creating a driven but supportive studio culture.
Of course, free Coke and espresso might have helped that.
From the first round of discussions with the core team in early 2011 to the final launch date, roughly 18 months passed. In those 18 months, Amplitude generated:
But the first public, critical milestone occurred on May 5, 2012, when the alpha went on sale. This was in and of itself a coup for the studio; it's unusual that a new independent studio is allowed to roll out an alpha version under the glowering eyes of Valve.
However, as several team members had worked with Valve and on Steam -- and in fact on Dark Messiah, the first non-Valve game ever to use Steamworks for multiplayer -- the good folks in Seattle decided to give us a chance. However programmers never get a break; as Unity is in C# and Steamworks is in C++, Eric's team had a lot of work to do to get the back ends of the two packages talking to each other.
The alpha launch went as well as we might have hoped. It helped, of course, that using the Scrum process meant that we had been testing and iterating the game, playing on stable (if limited) versions for weeks before the alpha date. Had the alpha version been full of bugs, the story would have been entirely different. As it was, the alpha and beta of the game garnered glowing comments for their stability and reliability.
We saw a number of development hypotheses validated:
And some surprise comments:
For the release, we built a standard "Admiral" edition ($29.99) that had a few extras, plus the "Emperor" special edition ($34.99), which added more extras and included a new faction with re-skinned ships (The color of the new skins, incidentally, was chosen in a G2G vote). The alpha only had four of the eight factions and was released at a 25 percent discount to the list price. The beta version was content-complete, and sold at only 10 percent off the list price.
Some interesting stats are:
During May and June studio activity hit a peak; in May it was making sure the beta version would be content complete and in June it was balancing the beta's AI and fixing bugs. That was the only real crunch period that the studio had to handle. Otherwise, the pace was intense but rarely did the developers have to work outside the unofficially official hours of 10-ish to 6 or 7-ish.
On the down side, we had some bad luck with release dates. The alpha came out ten days before Diablo III, and the final version just one week before Steam's Summer Sale. We had some worried days and sleepless nights, wondering if the announcement of our baby's birth would get lost amid the noise of the elephants trumpeting.
In both cases, however, we didn't really have other options. A self-financed studio has a development plan and a bank account; if the game does not launch and start bringing in cash the studio will go out of business. Early July ended up being the date that made the most financial sense, regardless of the risks due to Steam's annual sale.
Community reaction to the launch was generally positive, but some members felt that the game needed more time in beta to smooth the rough edges and, in particular, improve the balance of the AI. We didn't disagree with them; the launch was version 1.0 and as of publication, we're on 1.0.30 and are still tweaking the AI. But as explained previously, we didn't have a whole lot of options. We needed to generate cash, and even though we had very encouraging sales during the alpha and beta releases, we weren't earning enough to keep the lights burning for several more months of dev work.
Overall, we are ecstatic with how great the community has been and are very happy with our sales. The sales arc has been fairly predictable; three weeks after launch we had sold a total of 110,000 copies (all versions and all editions), and a month later 150,000. We are now working on free add-ons in 2012 and probably a paying expansion in 2013. The first add-on, Rise of the Automatons, was launched October 1st and included a new community-created and G2G-voted faction. We have started asking the community what they would like to see in the expasion.
While we won't say that the game is a resounding success, it has at least sold over 150,000 copies and is breaking even. A lot happened in a relatively short time, and after polling the various members of the team the following elements are what stood out as Key Success Factors (or, depending on where the sales end up, Key Not-Total-Failure Factors):
What we might have done differently:
So what will we do next? Primarily, there is a serious desire to continue developing and evolving Endless Space. As Mathieu put it on the forums, "...this release is just a step in the life cycle of Endless Space, this is not end. We are committed to constantly improving and expanding the game for many months after release." So a dedicated team will stay 100 percent on Endless Space, and G2G votes will continue as the team and community decide what new features and gameplay needs to be added. We have the extension to work on, and will probably eventually start thinking about a second IP.
We just hope that close contact with the community, a passion for great games, and the fun of working with a great team will ensure a long and entertaining future for all of us at Amplitude.