Gamasutra: The Art & Business of Making Gamesspacer
BioWare 2011: The Doctors Speak
View All     RSS
November 18, 2018
arrowPress Releases
November 18, 2018
Games Press
View All     RSS
  • Editor-In-Chief:
    Kris Graft
  • Editor:
    Alex Wawro
  • Contributors:
    Chris Kerr
    Alissa McAloon
    Emma Kidwell
    Bryant Francis
    Katherine Cross
  • Advertising:
    Libby Kruse






If you enjoy reading this site, you might also want to check out these UBM Tech sites:


 

BioWare 2011: The Doctors Speak


May 19, 2011 Article Start Previous Page 2 of 4 Next
 

I bring that up because I have this co-worker -- I try to explain, "These [BioWare games] are fun games. They're really engaging." But she's got no interest because of the sci-fi setting. It's not just BioWare. I try to convince her, you know... "You really like survival horror. Here's Dead Space." "Oh, it's just like a guy in space in like a robot suit." I'm like, "It's not a robot suit."

GZ: [laughs] Oh, no!

RM: I hear that as an opportunity that there are people out there that are probably open to the idea of emotionally engaging games, and we can make an experience that's accessible both in the genre, the IP, and the settings so it's familiar and comfortable, and also provide an experience that's easy to access from an interface perspective and gameplay, then those people would probably be willing to try them out.

We have advocates that are telling the people about them, to check out these games. We just have to look at that as the opportunity, and try and create the experience that will actually draw more people in without actually losing any of our core fans because ultimately those are our most loyal customers, the people who buy our games over and over, buy PDLC, subscribe to MMOs, and things like that. We want to make games that appeal to both audiences.

BioWare seems very comfortable in this space: the packaged retail product, big budget type game. Do you think that going forward, the changes that are happening in online games and social game and social games, that this packaged retail model, with its huge budgets, is a sustainable thing in the next decade?

RM: It's evolving rapidly. So, you know, you might deliver the content in different ways. You might build it over time and deliver it episodically, or kind of as a service-based, online delivery... Certainly the retail events are still important to a lot of fans. That's how they hear about games; that's how they go and acquire them. I think that's still important.

You're also seeing a lot more focus on the digital distribution business. It's taking a larger and larger role very year. There are also more opportunities to extend your games, or to launch new experiences through social games or light products, light online experiences, mobile gaming.

We're doing things on all those fronts. We're partnering, sometimes, with groups within Electronic Arts, like we're doing a Dragon Age Legends social game. We're partnering with a great team led by Mark Spenner. EA 2D is the development group within EA, working closely with BioWare's Dragon Age franchise team, and it's really fun... So it's an extension of how we're delivering content. It's really fun to play.

GZ: I think what you've seen is probably going to be a trend that continues. The number of the big triple-A releases is sort of diminishing. Certainly, it's more focused. What's happening now is the space is being filled by all the things Ray described. There's a huge, other alternate space emerging. I remember the rise of consoles 13 or 14 years ago. It seemed like what it would be forever. Now, I think you can make a really strong case as an example, more gaming occurring on the PC platform in a variety of forms than there is on anything else.

RM: iPad and other mobile devices now.

GZ: Yeah. It's just continuing...

RM: Facebook delivers... There are a lot of interesting opportunities.

There are a lot of experienced people that have worked on MMOs in the past working on The Old Republic, but it's just hard to imagine how incredibly difficult it could be for a company that hasn't released an MMO yet to support an MMO. I think players trust the design choices that BioWare is going to make, and innovations in that area, but the support for a game like that -- a game as a service -- how are you guys approaching that leading up to launch?

GZ: The preparations are as massive as the game. It's interesting. It's a good point. It's something that's been foremost in our minds for quite a while. Obviously, we have a certain level of confidence on the game side, because that's very familiar territory for us. There are subtle nuances of how it's different, server-based gameplay and that sort of thing.

But the whole service piece has probably been the thing we've learned most about. And I think the good thing there, though, is we have a lot of people who really do have a lot of experience. The folks at BioWare Mythic, a lot of them are part of the team, and they did it for 10 years, 15 years. They ran game services.

RM: Launched multiple MMOs.

GZ: Yeah, so it's invaluable. I think the other point there, that's definitely a true one, is that any new company has to create almost the new neural pathways of how these things function. And that's one of the reasons we do a lot of testing, real-life simulation testing with fans playing and seeing how it scales.

And the actual act of launching the game, you don't go from like zero to 60 in half a second. You have to build that over time. So, I think one of the key things is how we actually scale the population base, how many units are out at retail at various times, and how we grow. Because really it's the long-term goal you have to look at. You really have to look at the long view. It's very different than, I think, what the traditional boxed product view is these days, which is your first two months it everything, right? Our first two years is just the beginning.

RM: If you look at it in one way, it actually makes the problem easier to visualize. It's like the product is not just what you're putting in a box or what you're selling as a digital download. The product is actually the service. It's the ongoing quality experience.

So, if you look at it from a different angle, than it's like: Oh, so holistically, you have to make sure is at a BioWare level of quality, the game itself, the content, the technology, the scaling, the hardware, the framework, the social interactions, the experience, the connectivity -- all aspects of an MMO have to be at the same level of quality that fans expect when you put the BioWare brand on it, and the Star Wars brand. You have to deliver that. You have to deliver that kind of experience.

For us, it's kind of challenging, but we really do have a lot of people on the team that have done this before. It doesn't make it easy, because when you look at a game as ambitious as Star Wars: The Old Republic, the amount of content in it is probably equivalent to all the content from prior BioWare games combined. You know, we've got to deliver that to the fans enough to keep them occupied for a long time. You know, we have to continue to deliver more content over time afterwards, too.

As Greg said, you have to be very thoughtful about how you scale up the service post-launch to make sure you're never really compromising the quality of service, always maintaining it. If you approach if sort of one issue at a time and kind of look at it holistically, it's actually surmountable.

We're pretty confident we can deliver it, but we're approaching it with humility, knowing that we're going to learn as we go, that we're going to encounter things that we can't anticipate now. We just have to respond to those and use all the great people on our team and the feedback from our fans, try to build on that and deliver a great experience.


Article Start Previous Page 2 of 4 Next

Related Jobs

Monomi Park
Monomi Park — San Mateo, California, United States
[11.16.18]

Senior Game Engineer
Monomi Park
Monomi Park — San Mateo, California, United States
[11.16.18]

Senior Game Designer
Game Circus LLC
Game Circus LLC — Dallas, Texas, United States
[11.16.18]

UI Artist
innogames
innogames — Hamburg, Germany
[11.16.18]

3D Artist - for Elvenar





Loading Comments

loader image