Top 5 Most Affecting Characters
The end of the year tends to
be a time of reflection, and it's been said that this is one of gaming's
most prolific -- if not its best -- years yet. 2007 has seen all kinds
of evolutions on the experience of gaming, and while we perhaps haven't
hit yet on that elusive formula for true emotional engagement, this
year's offering feels a lot like nudging up against the boundary of
everything we've previously believed games are capable of being, in
terms of the ways they can affect, immerse and even permanently change
As the industry struggled to
find that magic balance between story and gameplay, compelling characters
took front and center. The reasons we play span from getting the opportunity
to be a hero -- or a villain -- to experiencing a new perspective, a
different ability, a new angle on the world, a new sense of a self that
is not us.
It can be argued that the key
to a game experience is a lucky cocktail of features that make us love
-- or loathe -- our characters, that our final impression will hinge
on what that character was, or was not able to do. With that in mind,
we take a look this week at five of the year's most aberrant, interesting,
compelling and effective characters in games. Minor spoilers.
5. Frédéric Chopin (Tri-Crescendo's
Eternal Sonata, Xbox 360)
Aside from some pretty colors
and lovely music, as an RPG, Eternal Sonata was ordinary in most ways
-- and that's the remarkable thing. That one of the most derivative
genres in console gaming could so seamlessly integrate the life, history
and musical work of a real-life composer in such a facile, cavalier
way stands out as one of those examples of the kind of engagement that
games can make possible.
After all, Frédéric Chopin
is not a fictional character, and the interpretation of his life as
a dream in a fantasy game encouraged more than a few RPG fans to learn
about him, maybe play a piano tune or two. And a character becomes much
more thought-provoking given the concept that everything you are playing
and seeing might just be a dream in the head of a man as he dies.
4. Kratos (Sony Santa Monica's
God of War II, PS2)
The first God of War
made a compelling anti-hero of the haunted soldier, and God of War
II brings us Kratos as a God. With character conventions that could
serve as a primer on Greek tragedy, the piquant conflict between Kratos'
condition of power and his inner torment and powerlessness gives greater
relevance to the almost artful, ravenous violence that characterizes
the gameplay, with each brutal stroke conveying the desperation of bitterness
and a quest for redemption and absolution that remains ever out of Kratos'
3. Andrew Ryan (2K Boston's
BioShock, PC/Xbox 360)
The architect of BioShock's
Rapture serves as a cautionary example of the danger of pure philosophy.
Though he's introduced as an antagonist, Ryan quickly becomes as sympathetic
as he is so bitterly wrong -- despite his hard-line objectivist-influenced
ideals that delineate artists from parasites, men from slaves, his greatest
crime save for fatal arrogance was perhaps believing in humankind too
When the ensuing conflict forced
him to compromise, over time, his ideals, that uncompromising faith
in his beliefs were worth sacrificing his life to attempt to convey
to his son. BioShock's one weakness was that, as that son, the
player couldn't elect to adopt that philosophy to thwart his own abuse.
2. GLaDOS (Valve's
The sleeper hit of the year,
Portal, couldn't have brought phrases like "I'm doing science"
into common parlance without GLaDOS, the decaying mainframe computer
with a personality disorder. The relationship between GLaDOS and the
protagonist has been called everything from passive-aggressive to maternal
to an out-and-out feminist manifesto.
An antagonist who joyfully
lies and then admits it, and then contradicts it again, who praises
and then excoriates, threatens and begs, who sings you a song when you
defeat her -- Portal is undoubtedly an excellent game, but GLaDOS
is what really makes it happen.
1. You (You, Everywhere)
This year's trends showed us
clearly that networked gaming is here to stay. Social virtual worlds
inspired by game concepts did a tentative introductory dance around
gaming itself, and social networking, communication and personalization
quickly distinguished themselves as lynchpin features that suddenly
no game can do without.
Blizzard's unshakable World
of Warcraft nation seems invincible, Mass Effect allowed
players to customize the protagonist to an unprecedented degree -- from
every response he or she has, right down to the width of the eyes. Much
was also made this year of choice in games as an absolute necessity
-- the player wants to personalize the experience, see themselves reflected
After chafing for years under
conventions that forced film-like linear stories on players perhaps
too hard, gamers have quickly declared that they're quite happy to make
their own stories, to place their preferences and their own character
concepts front-and-center in an open world. The audience has set a new
bar for the year to come, as gamers begin demanding game experiences
where their own will is the star.