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  Upping Your Game's Usability
by Eitan Glinert [Game Design]
12 comments Share on Twitter Share on Facebook RSS
 
 
August 19, 2009 Article Start Page 1 of 3 Next
 

[How do you make your game UI more usable? Developer Glinert looks at the four main elements -- learnability, simplicity, efficiency, and aesthetic -- that help game usability to flourish.]

A common gripe I hear from developers is that a game has a really great concept or aesthetic, but that the user interface (UI) is lousy. Games that are hard to control or that mystify users by not providing useful or sufficient feedback are pretty damn frustrating to play. This can translate into worse sales, so it's worthwhile for game developers to really spend a lot of time thinking about a game's UI.


How are great UIs created? Certainly experience and good instincts are necessary to create a UI which is both highly functional and aesthetically pleasing. It is also helpful to have concrete methods for analyzing usability, and in this article I'll define and focus four dimensions of usability: Learnability, Simplicity, Efficiency, and Aesthetic[1].

The purpose of defining such usability dimensions is to provide a methodology for talking about UIs, i.e. user interface X is more learnable, but less efficient, than user interface Y. Keep in mind that these dimensions are not a rating of how "good" a UI is, as sometimes it makes sense to disregard certain principles for the sake of gameplay. What's important is in these cases the game developers are conscious of such choices, and that they are not decided arbitrarily.

Learnability -- How easy is it to learn how to use the system?

This dimension mainly concerns novice users. Most developers prefer straightforward UI learning. To this end, tutorials are commonplace, as they provide a safe environment for learning controls and mechanics while providing meaningful assistance and guidance.

Once learned by the player, use of the UI should be based on recognition rather than recall. Generally one should not be expected to remember every game control, rather there should be easily accessible reminders where appropriate.

The exception to this rule comes from games where learnability is part of the game mechanic. The fighting genre is the most regular example of this exception, as players are rewarded for learning difficult-to-remember controls.

For instance, in Street Fighter II discovering the input sequence for a Hadouken (or any of the other complex moves in the game) is generally quite hard to learn from experimentation, but once it is found the player is rewarded with a new fun skill.


Street Fighter II
has learnability at the core of its game mechanic, as players must learn complicated input sequences for attacks.

Even within fighting games there is a hidden learnability method -- namely, feedback. Obvious, immediate, and repeatable feedback between input and output are critical for learnability, and thus trial and error in a fighting game will likely teach the user much about the mechanic. Relying only on feedback is dangerous, though -- how will users learn non-obvious or complicated input methods? Perhaps more importantly, will such a game be fun for someone who has yet to learn these expert inputs?

Learnability also dictates that controller mappings should be consistent; if the X button is used for "yes" in one area of a game, it should always be used for confirmation throughout. This is why this sort of consistency is made part of the standards set by the console manufacturers.

Likewise, controls should match real world expectations; if most other games in a genre have X as the standard button for "yes", then a new game within that genre should conform for maximum learnability[2]. Games with highly learnable interfaces are inviting to new users as they tend to be easy to pick up and play, while novel user interfaces frequently have difficult learnability issues as all users are effectively novices. Remember how tricky it was playing Guitar Hero for the first time?


[1] This list is based on Rob Miller's dimensions of HCI usability, but only focuses on the four that are especially relevant to video games. For more information on usability dimensions I'd recommend references from design experts like Jakob Neilson, Donald Norman.

[2] However one must be wary of slavish adherence in the face of new, superior control schemes.

 
Article Start Page 1 of 3 Next
 
Comments

Glenn Storm
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Thanks for the Rob Miller reference, Eitan. I appreciate the clear definitions and especially the relationships you've outlined between these dimensions. This is a good addition to the game design abstracted vocabulary.

James Gonzalez
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An excellent article that pinpoints all the critical aspects on developing a good User Interface design.

Eitan Glinert
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Thanks for the kudos. If anyone has any questions or criticism I'll be happy to respond here in the comments.

Daniel Rodriguez
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Excelent article. I liked the examples.

Oliver Snyders
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Just a quick question: Can the terms User Interface (UI) and Graphical User Interface (GUI) be used interchangeably? Not to get into a discussion over semantics (I hate those arguments), but I would like to know if there is a difference.

I always thought GUI was something like virtual, on-screen menus, buttons etc., while UI referred to the more physical stuff (keyboards, elevator buttons etc.).

Sean Parton
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Great article. I would have liked to see more examples and in-depth dissections of them though... perhaps a follow-up article?

Eitan Glinert
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@Oliver:

No, you can't use UI and GUI interchangeably. Think of GUI as a subset of UI - it refers explicitly to the graphical images, interface icons, menu systems, etc. that you see on the screen, while UI refers to that AND other things as well, like input devices and non-graphical feedback.

Sometimes UI and GUI can be really similar. In the case of the iPhone they're almost one and the same. Sometimes they can be really different too - in Guitar Hero or Rock Band the UI is much broader than the GUI since it involves specialized controllers and lots of audio feedback.

Tarwin Stroh-Spijer
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Thanks for the article, it was a great introduction to Usability in games. A great resource for my students actually.

I must say that bringing up Jakob Neilson is not a great thing - in my opinion he is has horrid suggestions of what to do with usability and is stuck in the stone age in terms of interface design. If you want to check out a dinosaur who's still relevant look at Jef Raskin's work.

Bob McIntyre
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"For instance, in Street Fighter II discovering the input sequence for a Hadouken (or any of the other complex moves in the game) is generally quite hard to learn from experimentation, but once it is found the player is rewarded with a new fun skill."

This would be a decent example if the moves weren't written on the arcade cabinet and listed in the manuals of the early home versions, and the in-game "move list" menus in the later games.

Eitan Glinert
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@ Bob:

Interesting, I didn't know that the moves were written on the cabinet. However I would argue that's an even better example of the learnability issues with the early SFII, as the game shouldn't expect users to look outside to find information. The in-game move list is a step towards remedying this problem.

Highly learnable UIs are based on recognition, not recall.

Ava Avane Dawn
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I haven't played Space Giraffe, but the the confusing GUI could be there for a different function than plainly aesthetic, also. For example in geometry wars it would seem that usability is lowered only for people convinced that you should be able to play in a certain "beginners manner", and that the visuals will help you or hinder you in this. Instead, geometry wars seems to guide the player to playing in a different manner through the use of "confusing visuals". For example: you'd think that a frontal crash with an enemy is a problem with the game because you simply couldn't see what happened and therefore failed to react, but instead this is the games way of telling you that you should perhaps change your trajectories, which in professional play are much more restricted than a novice or intermediate player would think.

Dave Endresak
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Good summary of various important points about UI.

One thing that I didn't see and that I feel is critical (but seldom offered) is customization. This includes both key/button binding as well as altering the actual display elements. A player doesn't care if the UI is acceptable to 90% of the population if it doesn't cater to the specific player's preferences. For example, the X button may be comfirmation for most games in a genre, but some players may prefer to bind it differently. This is particularly true when the global market is considered because standards sometimes differ between different national markets. The same is true for physical placement, color schemes, and other elements. In my opinion, the Wii interface is bland and boring; it doesn't interest me as a user. On the other hand, a game like Guild Wars or Morrowind allows the player to customize pretty much everything from key bindings to physical window layout, location of window elements, and other key features.

Of course, allowing customization can also enhance appeal to people with various impairments such as vision problems or other factors.


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