Even though Amercian McGee's Spicy Horse just wrapped up development on Alice: Madness Returns
for EA, don't expect to see another big-budget game from the Shanghai-based studio. The team has since changed focus to make good on its plans to explore alternative business models
, starting with a new Facebook title dubbed BigHead Bash
The game is Spicy Horse's first foray onto social networks, and has players take control of virtual figurines to duke it out in a side-scrolling online deathmatch. Collecting figures will play a huge role in the game, allowing players to earn bonuses for filling out their collection with sets of both original and licensed toys. Taking the theme one step further, Spicy Horse even has plans to sell physical figures tied to the game via a specialized 3D printing service.
With its licenses and merchandising hooks in place, it might appear that the toy-based brawler was tailor made for microtranscations and the free-to-play model. In a recent interview with Gamasutra, however, American McGee explained that all of these systems fell into place only recently, and Spicy Horse didn't even think about monetization until BigHead Bash
was well underway.
"The truth is, being a 'traditional' game company, we just started with a gameplay demo built by a two-man prototype team, and left the business model thinking until a much later date," he said.
While the strategy seemed sound at the time, McGee said it left the team unprepared to answer one critical question: how would the game make any money?
"Part-way into production I started pressuring the team to find a theme and make sure that theme linked into a 'monetization narrative.' To me, the idea that we set the game inside a store
made a lot of sense -- and it was the 'toy store' theme that I pressed for that reason," he says.
According to McGee, transitioning from traditional, retail game development has proven a bit of a challenge for Spicy Horse, as the long-engrained principle of focusing on gameplay over business doesn't quite work for smaller, free-to-play projects -- there needs to be some fundamental overlap between the two.
"In terms of the business model, it's been a struggle [to shift our development focus], that's for sure. Over five years of development history we've established a mentality of, 'make it fun and let someone else figure out how to sell it.' As new developments were being started at the beginning of 2011, little or no development effort was going into monetization. We've since cured that -- or so we hope -- but there are many new lessons still to be learned!"
Even after encountering these transitional hiccups, McGee says Spicy Horse is done making big-budget games like Alice: Madness Returns
. The studio's original vision was to explore emerging sectors in game development, and McGee assures us he will make good on that promise.
"It's not likely we'll go back to big-budget AAA development. Ultimately, it's not why we're in China. We started the studio here in order to be close to the fastest growing online market in the world and tap into an incredible amount of technical and artistic talent. While the studio has proven itself more than capable of producing beautiful AAA console games, there's no long-term business for us there. We feel online is where it's at," McGee said.
Prior to working on Alice: Madness Returns
, Spicy Horse produced Grimm
, an episodic series for the PC gaming service GameTap. The studio has also released a number of smaller iOS projects, including Crooked House, DexIQ
, and Akaneiro
is currently in open beta, and Spicy Horse plans to officially launch the game in February 2012.