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  How to solve a problem like Machinarium
by Glenn White on 07/22/10 08:04:00 am   Featured Blogs
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  Posted 07/22/10 08:04:00 am
 

 This post was originally published on my personal blog about games design Heaven Twiddling.

Machinarium

Point and click adventure games have a number of tropes like their linearity and focus on story but the one thing they all have in common is their ability to stump you! There is usually only one path and one solution to every problem, often resulting in your “rubbing” every item you have collected in your inventory together and crossing your fingers.

Long stints of puzzle frustration are rewarded with the great highs of self achievement. There is nothing better than finally figuring out a puzzle and having the feeling you are the smartest person alive. It doesn’t matter how many other people have solved it before you, in that moment you are a genius!

Whilst the pay off is always worth it, temptation is always whispering in your ear. “You could make this so much easier on yourself if you just looked at the guide.” “Come on, one look wont hurt! You’re only going to do it this once.” Of course if you do cave in, it will never be “just that once” if you give in once you will do it again and again.

Adventure game designers know this, they know we are weak, so to try and alleviate some of that frustration they have begun including hint systems. Something subtle to point you in the right direction without cheapening the experience. Sometimes though these aren’t enough and you really just need to know the answer.

The internet has created it’s own adventure game “Win” button with complete guides only a couple of clicks away. Once the player has found and used a guide it becomes an easy “alt tab” solution to even the most minor struggle. Now when the player becomes even slightly frustrated they will just resort to the guide.

What makes Machinarium interesting is that it supports its hint system with a complete game walk-through. After what I have just said this may sound counter productive. Surely with the player having a complete guide built into it they will resort to it all the time as they usually would with an online guide.

Machinarium cleverly avoids this by hiding the guide behind a helicopter-esk minigame. It may not be hugely challenging, but this small barrier between the player and the solution is enough to make them reconsider. By building it into the game it also discourages the player from checking an online guide and potentially reading more than they should.

I think this is an interesting solution to the problem of the player ruining their own experience. I found on my own play through I tried to use the in game guide several times but the mini-game was enough to convince me to try a little more. It meant I still got to enjoy the success of figuring it out myself, but on the one occasion I was truly stuck I didn’t have to leave the game to find the solution.

One might argue that if the player wants to read the guide from front to back that is their choice. I, however believe if the games designer responsibility to make the players experience as enjoyable as possible. That means giving the player just enough information to get them to where they need without removing the challenge.

 Check out my blog Heaven Twiddling for more games design highlights.

 
 
Comments

Ben Gilbert
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/agree

Not only that, but the guide was so cool!
After I beat the game I went back through all the zones just to peek at all the cute cartoons they made.

Stronger still is the fact that the whole game only uses human language once (as I remember, in the beginning when it points an arrow saying "click here").

Just a knee-jerk tangent. Good blog, mate.

Arjen Meijer
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They did have a super good vision on how they wanted to do it. And made one of the best modern point and click games I played in my life :)

Drew Mobley
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My favorite moment was when you gave the band back their instruments and they played a song while you danced. Pure joy!

The mini game was a good compromise between giving players tools but not letting them spoil their own experience. I remember the first time I racked up a $100+ phone bill from calling 900 gaming hot lines as a kid, and the ensuing lecture about the value of money and the stupidity of games.

Ilya Rostovtsev
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The "walkthrough" was so well-done, that I ended up hunting down the entire set after I was done with the game. I wish more games would be able to communicate things without words - Chahi's Out of This World (or Another World) comes to mind as pulling it off, sans the computer in the intro...

I'll add that Machinarium also utilizes a unique soundtrack and appropriate art style and animation pacing that makes the experience of relaxed exploration (and mental work) make sense within the design of the game. If anyone remembers the anguish of Sierra's time-based challenges where you have to explore the game while a hidden timer will cause a certain death (which discourages saving often), ask yourself if a similar walkthrough feature had been there, would the discouragement of a minigame challenge matter nearly as much as it did in Machinarium?

Glenn White
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@Ilya this is a very good point regarding Machinarium's pacing. There is only one moment in the game I can think of that required a fast pace, which possibly made it stand out that much more to me than it would of in any other game (I wont mention it for fear of spoilers!)

Also a very good point on the games communication without words. Many games have such poor dialogue and voice acting it can really distract from the experience, Machinarium manages to avoid this by simply not having any! The visual expressions and thoughts are more than enough to understand the characters motivations and emotions.


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